Sombre Chemin Doctrine Rar
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Happened to Sombre Chemin as the music here is very clear and actually quite bright and positive in its general orientation. If you only know the early recordings and were expecting something with a filthy sound and a punk BM style, this album will surprise you. A clear melodic Burzumesque influence is present in the melodies and the riffing, the simple keyboard melodies (even if they are washed out) and in the general minimalist repetitive pop structure of some of the tracks. The sandpaper vocals might be the only really major depressive element on this album, being set far back in the mix and usually cloaked in reverb.
The percussion may not be very remarkable but do enough to sustain the music which by turns can be dramatic, lively and even very triumphal. The minimalist grinding guitars with the occasional tremolo lead solo are dominant throughout the recording and sustain its flow and energy. Lcg photobook setup serial key. No doubt after their early murkier period these guys are in a celebratory mood on their full-length debut, even if their lyrics beg to differ as they promise to bring destruction to our current world so that a new, supposedly more authentic world, cleansed of corruption and racially and ethnically pure, can take its place: the music exalts in its frenzy, massive scale and aggression, and within the limits of its sonic make-up and range can be a glory to hear and follow.
The vocalist doesn't so much sing with feeling as erupt with a life-force far beyond the one he was born with. The keyboard wash tones magnify the force powering the music and aggression. Where slower, more contemplative moments appear, their sorrow seems all the more deeply felt. All the tracks are quite good and they're best followed as chapters in one all-embracing work. A surprise is 'Pan est mort', a darkly industrial ambient instrumental with deep sinister machine rhythms and sounds, led by a hissing high-pressure water hose drone and a one-finger synth melody: the title suggests this is a lament to the destruction of nature thanks to humanity's thoughtless actions over the centuries. 'Rien qu'une volonte' ('Nothing but a desire') is a long tortured piece of howling vocal and rapid spoken voice though the music itself is steady.
The singing rounds off with a punkish cover of French 1980s neo-Nazi band Bunker 84's 'Les feux de joie' ('Lights of Joy') which sits oddly with the rest of the album: it's an awkward angular song with a garage ambience. I don't care much for the National Socialist theme of the lyrics but you don't have to be ideologically aligned with SC to thrill to the music as the emotion and anger fuelling it come from a frustration with modern Western neoliberal capitalist society and its ills, and how it rewards a small minority handsomely while everyone else is forced to fight for the crumbs left behind. Much the same could be said for a lot of BM inspired by other political ideologies. Ultimately the music and the passion with which it is pursued matter and this recording is indeed powerful and passionate. Despite the fact that France now looks more and more like a multi-race rubbish heap there are still people out there in whom the Aryan spirit is still alive and who find the power to resist inspite of the pressure from ZOG (take for instance the sad story of KRISTALLNACHT). SOMBRE CHEMIN can hardly be called an old band but since the time they started they were able to gain respect in NS milieu and release 2 demos and 5 (!!!) splits. Now it’s time for the debut album.
I didn’t have an opportunity to hear their previous works and that’s why it’s difficult to say anything about the band’s progress. But what I heard even surprised me, as expecting to get a next darkthrone variation I heard a very interesting and varied work. The band combines BM with dark ambient in a quite successful way and both these styles are represented here in equal proportions (well, there’s a bit more of Black there really).
This combination doesn’t repel but on the contrary, sounds very natural. The BM tracks are generally performed in mid-tempo and sound very melodic, but at the same time they are penetrated with a furious spirit – the spirit of struggle. The vocals are typical for Black Metal, but they sometimes use clear vocals as well.
Sombre Definition
I also liked the ambient parts (though we should admit that metal bands not always make them sound interesting). Thank Gods here we don’t have long boring halfhour compositions a-la early MORTIIS, although you could feel his influence, as well as the influence of BURZUM. SOMBRE CHEMIN make it more freezing: you just sit and listen to the burning fire, dropping water, keyboards and screaming people can be heard somewhere in the background, which makes the atmosphere still darker In general, this is a very strong work and it’s recommended to NS Black Metal amateurs.
The CD is released in 500 copies.