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'Dark Was the Night, Cold Was the Ground'note 1 is a gospel-blues song written and performed by Blind Willie Johnson and recorded probably in 1927. The song is primarily an instrumental featuring Johnson's self-taught bottleneck slide guitar and picking style accompanied by his vocalizations of humming and moaning. It has the distinction of being one of 27 samples of music included on the Voyager Golden Record, launched into space in 1977 to represent the diversity of life on Earth. 'Dark Was the Night, Cold Was the Ground' was chosen as the human expression of loneliness.

. ' Dark Was the Night, Cold Was the Ground' is a song written and performed by American musician and recorded in 1927. The song is primarily an instrumental featuring Johnson's self-taught and picking style accompanied by his vocalizations of humming and moaning.

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It has the distinction of being one of 27 samples of music included on the, launched into space in 1977 to represent the diversity of life on Earth. The song has been highly praised and covered by numerous musicians and is featured on the soundtracks of several films. Contents. Background Born in 1897, Johnson taught himself how to play guitar and dedicated his life to blues and gospel music, playing for people on street corners and in mission halls. Had a field unit that traveled to smaller towns to record local talent.

Johnson recorded 30 songs for them at five sessions between 1927 and 1930. Among the first of these was 'Dark Was the Night, Cold Was the Ground'. Composition and recording The song's title is borrowed from a that was popular in the nineteenth century with singers. “Gethsemane”, written by English clergyman in 1792, begins with the lines “Dark was the night, cold was the ground / on which my Lord was laid.” Music historian Mark Humphrey describes Johnson's composition as an impressionistic rendition of “”, a style of singing hymns that is common in southern churches. 'Dark Was the Night, Cold Was the Ground' is 3 minutes and 21 seconds of Johnson's unique guitar playing in for slide.

Blind Willie Johnson

By most accounts, Johnson substituted a knife or for the bottleneck. His melancholy, gravel-throated humming of the guitar part creates the impression of 'unison moaning', a melodic style common in Baptist churches where, instead of harmonizing, a choir hums or sings the same vocal part, albeit with slight variations among its members. Although Johnson's vocals are indiscernible, several sources indicate the subject of the song is the.

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His records were sold by the and labels with other blues acts like, whom Johnson outsold during the Depression years. In 1928, the influential blues critic championed Johnson in his column for, praising his 'violent, tortured, and abysmal shouts and groans, and his inspired guitar playing'. Legacy Music Johnson's music experienced a revival in the 1960s thanks in large part to the efforts of blues guitarist. A highly regarded figure within the burgeoning New York folk scene, Davis gave copies of Johnson's records to young musicians and taught them to play his songs., and all covered Johnson.

In 1969, the English band released the album which included a song inspired by 'Dark Was the Night, Cold Was the Ground' called 'The Lord Is in this Place.How Dreadful Is this Place'. A compilation album titled was released in 2009 by the, a charity that raises awareness of HIV and AIDS issues through music. The recorded an arrangement of 'Dark Was the Night, Cold Was the Ground' that appears on the album. The song 'Excavating Rita' by on their 2011 album quotes the song's title. Singer-guitarist of called 'Dark Was the Night, Cold Was the Ground' 'the greatest example of slide guitar ever recorded' and used the song as a standard to measure such iconic rock music that followed in its wake, such as '.

In 2003, John Clarke in wrote that 'Dark Was the Night, Cold Was the Ground' was 'the most intense and startling blues record ever made'. Francis Davis, author of The History of the Blues concurs, writing 'In terms of its intensity alone—its spiritual ache—there is nothing else from the period to compare to Johnson's 'Dark Was the Night, Cold Was the Ground', on which his guitar takes the part of a preacher and his wordless voice the part of a rapt congregation.' Johnson's recording of 'Dark Was the Night, Cold Was the Ground' was selected by the as a 2010 addition to the, which selects recordings annually that are 'culturally, historically, or aesthetically significant'. Film “Dark was the Night, Cold was the Ground” was used on the to 's classic film, in scenes where laments betraying Christ and a cripple asks to be healed. Based his soundtrack to the -winning film, on 'Dark was the Night, Cold was the Ground', which he has described as 'the most soulful, transcendent piece in all American music.' , the director of Paris, Texas, included Blind Willie Johnson's music and life in his 2003 documentary, produced for the series '. Television.

Willie Johnson Dark Was The Night

This section does not any. Unsourced material may be challenged and. (January 2018) The life story of Johnson is mentioned in the episode ' of the TV series and “Dark was the Night, Cold was the Ground” plays over the closing scenes of that episode. The song was also used in the opening episode of season 4 of the Irish crime drama. During the ninth episode of the US drama season two, the song is mentioned as a favorite of when he visits Freddy Hayes, the owner of Freddy's BBQ, and both realize that they share taste for Blind Willie. Voyager Golden Record In 1977 and a team of researchers were tasked with collecting a representation of Earth and the human experience for sending on the Voyager probe to other life forms in the universe. They collected sounds of frogs, crickets, volcanoes, a human heartbeat, laughter, greetings in 55 languages, and 27 pieces of music on the.

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Blind Willie Johnson Dark Was The Night Tab

'Dark Was the Night, Cold Was the Ground' was included, according to Sagan, because 'Johnson's song concerns a situation he faced many times: nightfall with no place to sleep. Since humans appeared on Earth, the shroud of night has yet to fall without touching a man or woman in the same plight.'